A while back, the Sleep Live At
Third Man Records box set showed
up on my porch. As much as I'm enjoying the seven sides of music,
the manufactured rarity of the thing is a pain in the ass. This
thing should have been made available far and wide for everyone to
enjoy. Instead, it was only made available to people that signed up
for the Third Man record club. I signed up in order to get this
thing but forgot to cancel my membership before they charged my card
again for the next club release which had something to do with Jack
White's band The Raconteurs.
To an extent, I
have great admiration for what Jack White has done for music but I
really don't care for what he does musically. Keeping the names of
artists alive and keeping records in print with his label is a great
service that he does but I have always found his music forced and
predictable. I can see why people are into what he does but it's just not for me.
The downside of
Third Man is the way the label turns music into a novelty and seems
to forget that they put out music and not trinkets that are related
to music. Short pressing records to create a false scarcity and
driving up the after market prices is not a way to get money out of
my wallet. I bought this box set to listen to it not flip it on
eBay. And they didn't even take into consideration making listenable
records for this release.
For some reason,
Third Man felt compelled to put locked grooves at the end of sides B
and G when they pressed the records. For the folks that have lives,
locked grooves are sometimes put at the end of a side of vinyl
instead of the usual lead out groove that will draw the tone arm to
the center label. Locked grooves can best be described as an
intentional skip at the end of the side. Keeping the needle going
over the same bit of information repeatedly and looping that sound
until the tone arm is lifted. This will shorten the lifespan of the
needle and it will have to be replaced sooner.
At least there
weren't any skips or pops on the LPs so I was able to get a clean
recording when I jammed them into my laptop to make my own digital
copy. Almost every other Third Man release that I own has some sort
of defect on it that effects playback. They tend to put more focus
on quality control when it comes to their specialty releases than
their records that are pressed on black vinyl for the masses.
Outside of my
frustrations with the circumstances that led to the records landing
on my turntable, Sleep definitely played a set that was worth packing
a lunch to go on the almost two hour journey with. This was recorded
in Nashville, TN four days after their stop in Pittsburgh back in
December 2018 and was a very similar set list.
Sleep was in fine
form and this performance lacked the minor miscues from the
Pittsburgh show due to the monitor issues at Stage AE. The other
difference between this set and the Pittsburgh show was the loudmouth yinzer that wouldn't shut up the
entire night while I was trying to watch the band play was noticeably missing. For that
reason alone, it was worth it to me to pick this monster up.
The new songs off
of The Sciences and the 12-inch single “Leagues Beneath”
sound incredible in a live setting and this recording captured that
perfectly. Matt Pike's guitar tone came blazing through the speakers
with the correct amount of weight that sometimes gets lost on live
recordings. For all of my grumblings about the physical release of
Live At Third Man Records, there was a lot of attention to
detail paid to the nuts and bolts of the actual recording of the
music.
The performance
was recorded straight to acetate and mastered on the spot. That was
no small fete for the engineers to pull off a recording of that high
quality in that manner.
Now that the
hysteria around the box set has settled down, after market prices are
around $80 or $90 online. It's seven sides of music with an etching
on side H so given the current retail prices on vinyl, that really
isn't that bad compared to the $200 prices when the thing first came
out.
Hopefully, Third
Man will see fit to release the music for everyone to enjoy at some
point. The work that the band and the engineers did that night
deserves to be heard and recognized by everyone that wants to hear it
and not just record club members.
And look at that. Someone posted a vinyl rip of the entire set to the YouTubes.
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