Wednesday, October 30, 2019

Crying In My Coffee Again

     Boy, did I make the mistake of writing in a public place while trying to put this together. Rereading this post from Chris Gethard while listening to Against Me!'s Transgender Dysphoria Blues.  “Two Coffins” hit my brain like a ton of bricks and I was a teary eyed, snot covered mess.  At least I was in a suburban coffee place and could give a fuck about any of the people there.  Suddenly, my corner cleared out and the walking Yelp reviews moved elsewhere.
     Trying to find a way to reconcile the six foot rubber poop monster that is my depression with being the parent of a fifteen year old was stirred up after reading about Chris Gethard's attempts to get right with his previous work now that he is a parent.  Most notably his one man show Career Suicide.
     I try not to conceal too much from my daughter.  Now that she's old enough, I approach our interactions with the same bluntness that I would with long time friends.  In my experience, family history and secrets are poison and can lead to problems down the road.  Being honest, open and available to her can only help her in the long run to be able to wrap her head around things.
     If there were things that my parents were honest with me about, I probably wouldn't be better off but at least I would have the information to do what I wanted with it.  My parents come from the tail end of the generation that never spoke about anything.  The perceived fear of being shunned by the surrounding community carried more weight than dealing with an actual problem.  If no one knows that there's a problem, then there isn't a problem.  The magic of ignorance was a wonderful thing while it lasted.  You just didn't talk about so and so anymore and the problem went away.
     The history of depression runs deep as a canyon on both sides of the family and no one ever said anything about it so the younger generations could be aware of what was possibly going to hit them. We were all left to figure out on our own why we couldn't bring ourselves to get off of our couches to face the outside world.
     One of the main fears that Gethard wrote about is when his son is old enough to stumble upon Career Suicide and how he would explain it to him.  That's the corner I'm trying to turn as I write this but my brain is clamming up as I approach it and I stop typing.  I'm not sure if my kid reads these things.  She is aware that I write them but I have no idea if she gives them more than a glance or what she thinks of them.  I don't even know if the usual dread and what-the-fuckness that I feel on a minute to minute basis comes through in the writing.
     Putting that darkness at her feet is not something that I want to add to her daily list of obstacles.  A fifteen year old girl has enough to deal with growing up.  I have clued her in to the fact that the darkness is there and it's alright if she has those feelings.  But I always stop short when the conversation starts to get too heavily aimed in my direction.  Shedding light on my challenges and struggles with her has always been difficult.  The old family practice of fear and shame come roaring back.  My male fragility kicks in and I become afraid that her opinion of me will change so I end up speaking in generalities.  That might still be helpful to her but it lacks specifics and feels like I'm being less than honest.
     There are times that I feel like the absolute wrong person for her to bring her problems to.  I spend so much time by myself that I easily forget how to interact with other people.  I've never been one that has had a lot of friends so when she has a problem with her's my usual reaction of “Fuck people” could be seen in some circles as less than helpful.
     The message that I try to impart the most to her is to not be afraid to ask for help which is a piece of advice that I have yet to heed myself.  Self medicating with music, coffee and denial is probably not the best route to take when navigating through depression and anxiety.  Alternating between the first four Black Sabbath and Ramones records while guzzling a pot of coffee would never be recommended by a mental health professional.



Wednesday, October 23, 2019

Pay To Live And Can't Afford To Die

     I have recently noticed that I have been having a similar conversation more and more frequently with different people.  As we are all getting older we all seem to be coming to the same conclusion that the American Dream is a scam.
     After two decades of being ground to a pulp in the gears of the Capitalism, I can safely say that my elders lied to me and the entire thing is a ruse to separate me from the wages that I earn.  We were all told to get jobs and buy houses and some of us were actually stupid enough to fall for this trap. This approach may have worked for previous generations but since then financial institutions discovered that there is money to be made in taking advantage of people that are trying to put a life together.
     Then we were told that if you wanted to get a decent paying job so you could buy a house you needed a college degree.  The banks and universities smelled blood in the water and hiked up tuition and fees to astronomical levels in a very short amount of time.  Loans became so bloated that students have a lifetime's worth of debt by the time they're told they're educated enough to get a job.  Then they are expected to take out more loans in order to buy houses?  Fuck that.  Being a cog in a money making scheme is not a way to get through life.
     This has led to people no longer becoming well rounded individuals capable of critical thinking but really good at filling out forms.  A lot of people see stepping up to the gambling table of finance so they can pay back their loans as their best option.  This has created a generation of hedge fund douchebags that don't care about anything but themselves and would trip their own mothers to get ahead.
     I have stopped wondering why there haven't been any major human advancements over the past several years that didn't involve a minor change to the smart phone.  People have stopped looking outward and forward.  It's all self-centered bullshit so the individual can get ahead.  The many be damned unless the cost analysis works out to the benefit of the few.
     Buying a house and going to college are no longer personal achievements in this era of untethered greed.  Trying to lead a relatively normal life is no longer sustainable.  The greedheads will always find a way to leach every last penny out of a person with increased and unnecessary fees that get chalked up to the cost of doing business.  Even in death, most people can't afford the costs involved with their own funerals.
     These systems need to be taken apart and the old way of thinking needs to be put out on the curb for garbage night.  All of these dickheads that are becoming rapidly irrelevant need to stop freaking out over debt cancellation.  This whole “I suffered so everyone else should too” attitude needs to stop.  It's tiresome and it's boring.  Most of the people complaining about debt cancellation have no idea how much tuition costs these days because it's been years since they had anything to do with the education system and their ignorance is showing.
     And fuck this happy home owner bullshit.  Let's cancel mortgage debt while we're at it.  Fuck the banks, they'll find other ways to cheat people out of money that's what they're good at.
     I wish that I was smart enough to not fall into this trap.  My lower back is pudding and my hands no longer work from sitting at a desk and typing all day.  I have very little time to do anything other than work, sleep and do yard work.  Trying to do anything creative takes an incredible amount of will and effort that I can barely muster anymore.  If it doesn't fall into my routine at this point, it's probably not going to get done regardless of how much I want to get something done.
     “The Grind” has done just that to me.  Trying to get out to shows or even to go to a movie is getting more difficult these days.  I get exhausted just thinking about leaving the house sometimes and end up not doing anything.
     This system has beaten me into a good little citizen.  Sitting at home staring at the walls too tired to go out and live.  That's why when I do make it out to a show I'm like an energy vampire.  I use the energy expended by the bands to help me push on to get through the next week.  I listen to records regularly to try to push on through the next hour.
     Punk Rock saves my life on a daily basis.



Wednesday, October 16, 2019

Fall Records To Give A Listen To

     As we plummet toward the end of this wretched year, we are being bombarded with a mountain of new records to help hold us up against the awfulness of the world around us.  It feels like I have been single handedly keeping the postal service in business by the amount of vinyl mailers that are on my porch every day when I get home.
.     .     .
     The Hammered Hulls self-titled seven inch that was put out by Dischord is the most frustrating of all the new records that I've picked up.  It's frustrating to me because no record should be allowed to be that good and only have three songs on it.
     The band is Alec MacKaye (The Faith, Warmers and Ian's younger brother) on vocals, Mary Timony (Autoclave, Helium and Ex Hex) on bass, Mark Cisneros on guitar and Chris Wilson on drums.
     I end up listening to the same three songs for damn near an hour hoping at some point an additional albums worth of songs will magically appear but they never do.  Hopefully this single is just the warning shot of something more to come in the near future.

Hammered Hulls--Bandcamp

.     .     .
     Monolord has once again done what they do best and dropped a building's worth of Swedish stoner/sludge onto my turntable.  No Comfort is the band's first release on Relapse Records, the long time metal label out of Upper Darby, PA.
     I'll have to do some more homework on their prior releases to confirm but I think No Comfort is the best Monolord has sounded, production wise, since I've been listening to them.  The low end rumble on the bass lines jumped out at me immediately upon first listen.
     Of course, there was the usual over abundance of vinyl options pressed that this over achieving nerd had to get his grubby little hands on.  The most creative of which was plain orange vinyl that also came with a slip cover that was made out of the same material that is used to cover Orange amplifiers.

No Comfort--Bandcamp

.     .     .
     The new incarnation of the Pixies brought forth Beneath The Eyrie.  I have really been enjoying this latest run of albums that they've been putting out.  Indie Cindy, Head Carrier and Beneath The Eyrie are very different from the Pixies first spasm of creativity.  There is no way the band could recreate the magic that brought us their earlier albums so heading in this new direction as solidly as they are is very rewarding to the ears.
     The only downside of Beneath The Eyrie is that it really makes me miss Jefferey Lee Pierce every time I listen to it.  I'm not saying that the Pixies are borrowing from the Gun Club.  The record makes me wish that Jefferey Lee Pierce was still alive and playing with some version of the Gun Club and they would tour with the Pixies.  That is a bill that I would gladly overpay Ticket Bastard fees to see. I always end up letting my depression off the leash and listening to Mother Juno after this Pixies record now.  They fit so well together.


.     .     .
     Boris came bursting out of their laboratory with Love & Evol.  They have moved over from Sargent House to Third Man for US distribution this time around.  As much as I have issues with Third Man, the label did put together two reissues of hard to come by Boris albums to go along with the new record.  Feedbacker and Akuma No Uta were early Boris releases that were always way too expensive to pick up on vinyl and at least that problem has been remedied.
     As with every Boris album Love & Evol takes multiple listens to work through the density of what the band has unleashed and I am still trying to wrap my brain around it.  Seamlessly going from soundscapes to drones to paint peeling guitar riffs to form one cohesive piece that makes me feel like I am not smart enough and need to work harder to solve that problem.
     In addition to black vinyl through Third Man's mail order, there was a tour pressing of orange and blue vinyl and an indie store exclusive of clear with orange and blue swirls.  Buyer beware on the Love & Evol tour exclusive vinyl.  As pretty as the records are, they have a distracting amount of surface noise.  I haven't had a chance to listen to the black vinyl yet to see if they suffer from the same issue.
     Feedbacker and Akuma No Uta also had tour pressings which are difficult to come by since Boris came nowhere near Pittsburgh on their tour that just ended.  To the Discogs!!!

Love & Evol--Bandcamp

.     .     .
     Until recently, I was opposed to using any public money being used to rebuild the cathedral of Notre Dame.  What changed my opinion was hearing Ghosteen by Nick Cave & The Bad Seeds.  They should rebuild the cathedral, have the Bad Seeds play the album front to back and then burn the fucker to the ground after the performance because that will have been the greatest thing to have ever happened in the building and it will no longer serve a purpose.
     I have only listened to the album twice but I have been stopped dead in my tracks both times.  And again, I have been confronted by art that I am not smart enough to understand without digging in with repeated listens.
     The sounds that the mad genius Warren Ellis is creating feel so incredibly large to me that the only venue that would be big enough to contain them would be a cathedral.  The only thing that I can think of that could match the enormity of the synth sounds on Ghosteen would be the pipe organ in an old church.
     As always, Nick Cave is in fine voice and making me feel more than inadequate when it comes to putting words next to each other in some sort of form.  I've already reacted more than once with “Oh, come on” to his use of language on this record and I'm sure my feelings of inadequacy will only get worse when I take a look at the lyric sheet when the vinyl comes out in November.
     It feels like Nick Cave was first in line at the talent buffet and didn't leave any for the rest of us.


.     .     .
     Iggy Pop has followed up Post Pop Depression with Free which finds the true king of rock 'n' roll flipping the switch from rabid badger to smooth crooner.
     Iggy is back in the same territory as his previous albums Preliminaires and Apres where he has stepped away from the animal and put his jazz singer chops on display.
     Lyrically, from beginning to end, Free sounds like Iggy is having fun and being playful with his word selection.  The second track, “Loves Missing,” is the standout for me.  The band establishes a groove that could crack the Earth.
     On guitar, Iggy has enlisted the soundscape talents of Sarah Lipstate who performs under the name Noveller.  She was the opening act during the Post Pop Depression tour back in 2016 and I was an immediate fan of her brand of weirdness.


.     .     .
     As I have been going back over this stack of records, it suddenly dawned on me why I was bored senseless by the new Tool album.  All of these bands and artists seem to be pushing forward and trying to break new ground with their creativity or at the very least are attempting to hone their craft. By doing that they're making me put in the same amount of effort as a listener and expanding my musical palette.
     Tool seems to have made a record for 1997 me that didn't know anything as opposed to house full of records me that is always looking for something new and weird to jam into my earholes.  I gave it three listens and was still waiting for something to happen and relieved that I only forked over money for a download.  Maybe they should have spent less time on designing the $50 CD packaging and more time on writing better songs that would challenge the listener instead of showing that they were stuck in a creative rut.
     It didn't really help their cause that I read about some of the singer's problematic past behavior while looking into the hullabaloo surrounding this release.  I found myself regretting handing over the money for the download and wanting to take a shower.
.     .     .

     There are still two months left in the year to see what else lands on my turntable so there's at least that to look forward to.  I haven't even had a chance to listen to the new Kim Gordon record that came out last week and I'm sure that will give me some level of brain damage so I can't wait to get that one in my ears.

Thursday, October 10, 2019

Driving With Mr. Incel

     A few weeks ago, the internet coughed up quite the hairball of bad behavior at my feet.  There was a discussion of the cab/Uber/Lyft driver that wouldn't shut up and how it was mostly male drivers that wouldn't stop talking to female passengers.  Even if they paid for the “Hey, driver, shut the fuck up” upgrade.
     Several horror stories of women just trying to eke out an existence without being bothered were shared and I began to wonder how every woman on the planet doesn't have a heart condition from having to constantly be on alert.
     I prefer solitude and, keeping with the golden rule, have a tendency to leave people alone because I would like to be left alone.  Usually armed with headphones, books, notepads and/or a computer, I will try to find the farthest, emptiest corner of the coffee place so as to not be bothered.
     More often than not, some mouth breather will flop down next to me and make their presence known even if all of the other tables are empty.  This typically white male will then proceed to think he has invited me into his living room and try to start a conversation.

“What are you reading?”
Well, nothing now
“What are you listening to?”
Your dumb face.

     If I don't take their time wasting bait, out comes their cellphone and they'll start watching videos at a volume that is inappropriate for a public place.  Or they'll call someone who cares and have a conversation about nothing while yelling into their phone that's on speaker.
     I've even run into this at punk shows.  When I'm not taking pictures, I'm either standing near the closest exit or at the soundboard.  No matter what dark corner I'm standing in, somebody always thinks that I want to be their friend.  Does the expression on my face say “Please, talk to me because I would really like to be bothered while watching this band play” or do I have an internal magnet that's set to dipshit?
     If I'm there taking photographs, I still can't get away from randos that want to have a chat.  Ear plugs in and clearly in the middle of taking pictures I'll get, “Hey, whatcha doin'?”  I'm clearly stealing the essence of the band members.  Duh.
     Sometimes I can pretend that I can't hear them unless they get in front of me.  Then I have to play nice but since I'm half deaf from years of abusing my hearing, I can't make out half of what they're saying anyway.  The nodding and smiling commences until they hopefully go away.
     Are these people afraid of their own thoughts?  If they stop talking about nothing for five seconds, will they become overcome with existential dread and the meaninglessness of their own lives?  Is that why people feel the need to bother everyone around them by whistling?  Are they trying to keep their own demons at bay or is there nothing rattling around in their skulls and they're trying to fill the emptiness with noise?
     Even though I walk around with a backpack full of stuff in order to look as occupied as possible, this happens to me on a regular basis and I'm a rapidly aging and expanding white guy that no one has any interest in.  No one has ever leered at me as if I was their lunch, unlike every woman that has ever walked the face of the Earth so I couldn't come close to understanding what a woman's day to day must be like.
     I have never thought, “Hey, I'm going to bother this person that clearly doesn't want to be bothered in the off, off, off chance that they'll want to have sex with me.”  Having to deal with a constant barrage of assholes must be exhausting.
     Especially in the confined space of a car.  A woman has to put up with the endless word diarrhea falling out of the driver's mouth because if they say something it might set the asshole off.  Or at the very least, the woman might be seen as rude and society can't let that happen.  How dare a woman stick up for herself.
     In a very short amount of time, it has become very clear that these car services don't really care who drives around with their stickers on their cars as long as the driver is racking up the miles and the dollars for these tech companies.  They're making enough money off of someone else's labor to pay off the occasional legal settlement.
     This culture of male entitlement bullshit needs to stop.  There are Men's magazines with “tips” on how to approach a woman that's wearing headphones.  Here's a tip: why don't you leave her the fuck alone?  No one wants to talk to you and I can guarantee that you're not nearly as interesting as whatever it is that she's listening to.