The
question was posed on Twitter last week, by Post Gazette music writer
Scott Mervis, whether it was okay for Richie Ramone to be going
around playing Ramones songs in a new band.
As much
as I would consider myself a purist, and as much as I bow down at the
altar of the Ramones on an almost daily basis, the idea of Richie
playing those songs out doesn't bother me as much as I thought it
would.
After
all, Richie was actually in the band. He played on Too Tough To
Die, Animal Boy and Halfway To Sanity and somehow
managed to make the Ramones' live set two minutes faster. Richie was
unceremoniously booted out of the band because of a dispute over
T-shirt money.
People
need to understand that there is no punk rock pension plan or
retirement package. A lot of the musicians that were in punk bands
from the 70s and 80s have nothing but the songs they wrote. If they
want to put together some sort of configuration of the band they were
in to take advantage of nostalgia dollars, they should be able to do
that. As long as the bands are tight and the songs are treated with
respect, more power to them for going back out on the road. Now that
being said, I was unable to make it to the show last week when Richie
came through town so I can't say whether this band's proof is in its
pudding.
The
songs that the Ramones put together belong in a live setting. With
the original four members no longer with us, at least Richie is out
there keeping the songs alive, not unlike an orchestra playing
classical music. And what's an orchestra other than a snooty cover band in
tuxedos.
The
Dead Kennedys tour every so often, minus Jello Biafra. Jello took
offense to the point where he sued the other band members to try to
prevent them from playing the old songs out. It seems like Jello
forgot that he wasn't in the van or studio by his lonesome. He might
own the publishing but he would not have been able to do it without
the rest of the band.
There
were dueling Black Flag reunions a few years ago that also ended up in
litigation. Suits and countersuits were filed mostly on the grounds
that Greg Ginn might be a great guitar player but also an
insufferable prick that doesn't know how to disburse royalty payments
from his label, SST. As much as I hate Stage AE, it was worth the
price of admission to see Keith Morris rip through the song My War. That show
was also where I was exposed to, local punk band, Killer Of Sheep's
live set for the first time. Which was a fair trade for the cancer
screening of a pat down I was given by venue security.
Pittsburgh
is saturated with cover bands to the point where original bands are
marginalized. A strong, well nurtured local scene cannot develop
when every stage in town is occupied by a cover band. Instead of
forging their own legacy, most musicians in town are saying to hell
with it and starting a cover band to make beer money off of someone
else's legacy. At least Richie Ramone was a part of the legacy that
some people are sure to say he's taking advantage of.