Here's the Libsyn link to episode 31: The Cazart Chronicles Podcast: Episode 31
Sunday, March 24, 2024
The Cazart Chronicles Podcast: Episode 31
Tuesday, March 19, 2024
Lost In The Deep Sage With Gouge Away
On March 15th, Gouge Away released a record that I had been waiting for with great anticipation ever since they started to cryptically tease its existence several months ago. During my first listen, I was maybe three quarters of the way through side A when I realized that I was listening to something special. And that’s a feeling I hadn’t had since I first listened to Careening by Hammered Hulls back in October of 2022.
There is so much density packed into the 34:30 run time of Deep Sage and I have no idea how Gouge Away pulled it off. There are some serious Amphetamine Reptile/Touch & Go vibes throughout the entire album. It sounds as if the record could have come out of Chicago or the Pacific Northwest in the mid to late 90s right alongside the Jesus Lizard, Helmet or KARP. I can even hear where Steve Albini would have fucked up the nuance of the mix and flattened out any character the songs would have had.
Luckily, Steve Albini was nowhere near this record and every ounce of Jack Shirley’s production work pushes each song further. I listen to a lot of records and I have heard very few sonically perfect albums but I think Deep Sage might be one of them. It was mostly recorded live to two inch tape and didn’t hit the digital realm until the mastering process. This record should not be listened to over shitty Bluetooth earbuds or headphones. A proper stereo set up or decent wired headphones is the only way to do this record justice and to actually hear all of the work that went into it. I know most people choose to stream music for convenience and entertainment but I highly recommend the listener put in the bare minimum of effort to experience this one. There are so many layers on this record that would be lost in translation with the common modes of listening.
Gouge Away have expanded their sound beyond any category that someone might want to put the band in. I could hear their attempts to break out of the “hardcore” mold in elements of all of their previous releases and always hoped that they’d keep pushing into new territory. Deep Sage is that new territory and it suits the band quite well.
I have listened to this record repeatedly since it came out and still find myself stopped in my tracks and stunned at various parts throughout. Even in trying to write this thing I’d end up putting the computer aside and feel perfectly content in watching the record spin as it played. Then I’d flip the record over and do it again.
I am absolutely certain that all of the hardcore bros, with their tanktops and gym shorts, are going to hate Deep Sage because they won’t be able to figure out how to do their Mary Lou Retton floor routines to expertly crafted songs. They’ll be too busy gatekeeping and screaming about having been betrayed to the same tired riffs and double bass kick drum to let this record teach them something.
How dare a group of artists grow and evolve together. I’m sure there will be a similar backlash to Gouge Away as there was to Snapcase when they started pushing the boundaries of what they were doing in the early 2000s. Music is art and does not have a rigid diagram for what it should or shouldn’t be. And wouldn’t the same bands putting out the same records over and over again end up getting boring?
Unfortunately, I have yet to cross paths with Gouge Away. I almost saw them in 2020 when they were supposed to open for a band that I can’t remember but the tour was canceled due to the world almost ending. They will be touring with METZ, who also seem to be allergic to the Pittsburgh area, in the near future but there were no shows within a drivable distance to me so I will continue to be infatuated with both bands from afar.
Like several other bands, I did not think that Gouge Away survived the downtime of the pandemic. The vocalist, Christina Michelle, abandoned the band’s home state of Florida for the other side of the country and ended up playing bass in the band Nothing when they opened for Boris in 2022. I was pleasantly surprised to see her playing in Nothing and she looked like she was having a blast doing it. Things looked bleak on the Gouge Away front and then out of nowhere the first single “Idealized” hit the internet.
It was the first new music from the band since the “Consider”/”Wave Of Mutilation” single came out. And, by the way, I will always enjoy the irony of a band named Gouge Away covering any other Pixies song than “Gouge Away.” Their version of “Wave Of Mutilation” was stellar and took no prisoners.
From the looks of the situation, I thought “Idealized” was a leftover track from an old session and the band was cleaning out the vault. The song was great and I wanted to hear more but it did not fit in or have the feel of the previously known work of the band so I figured it was a b-side being given the light of day and that was that. A period of time went by and Deep Sage was officially announced along with the next single, “Stuck In A Dream,” which was followed by me shitting the proverbial brick and setting my credit card on fire with vinyl preorders.
There were a handful of different options for colored vinyl and I went full record nerd and ordered up the ones that I could directly from the label. Of course, none of the stores in Pittsburgh that I usually haunt stocked the blue/black version that was slated for “indie” record stores so I will be at the mercy of the internet for that one along with the blue/white tour only version.
Sunday, March 10, 2024
The Cazart Chronicles Podcast: Episode 30
Thursday, March 7, 2024
Peace Talks At Slag House On March 1, 2024
Wednesday, March 6, 2024
Who Do You Write For?
Somewhere in the pages upon pages of Kurt Vonnegut that I have burned into my frontal lobe over the years he put forth the idea that in order for a writer to find their voice, they must first write for an audience of one. Think of one person and write to them. From there everyone else will follow.
The idea was separate from that of a muse. It was more along the lines of having someone in mind that the writer would feel comfortable enough to sit down with and tell the story to conversationally. Think of what you would say to this person and how you would say it and then put that on the paper. Seems simple enough of a concept.
Vonnegut wrote with his sister, Alice, in mind going all the way back into their childhood when they would write stories and read them to each other to pass the time. Even after her passing, he kept writing to her in a way to deal with his grief, to help keep her memory alive and to keep the conversation with her moving even though she was gone. His novel Slapstick may have been given every bad review under the sun but it was a great example of this and his relationship with his sister.
Several months ago, I started to dwell on this idea and kept coming back to it during one of my many existential crises over my creativity. In an effort to try to figure out why I do what I do and to decide whether I should keep doing it, I began deconstructing every aspect of my attempts at creativity so I could try to make more sense of them to myself. In other words, I was trying to find a reason other than my usual caffeine fueled, dumpster fire of spite to continue this endeavor.
I didn’t come to many worthwhile conclusions during this exercise but I hardly ever do. This rummaging through the disorganized junk drawer of my mind has turned into more of a way to procrastinate and avoid actually doing the work than figuring out anything substantial that may be the slightest bit helpful to me.
There has only ever been one person that has consistently paid any attention to the things that I put out into the world. Only one person that comes remotely close to being able to relate to what goes on inside my broken brain. The one thing that I have in common with Kurt Vonnegut is that the person in my head that I am writing to is also my sister. Unfortunately, other than my affinity for naughty words, that is where my similarities with the great Hoosier end.
Even if I’m putting forth ideas that I am unable to verbalize or writing words that no one besides the unsuspecting fool that makes the mistake of walking off with my laptop will ever read, in my head, my sister was always the one sitting in the chair on the other side of the table, politely suffering through my mental diatribes while I hacked away at the keyboard.
Now that I have more years behind me than I have in front of me, I’m starting to see clocks with indeterminate amounts of time counting down to zero everywhere I look. And I’m seeing friends and loved ones as dominoes ready to fall. As the losses and dire situations continue piling up, I find myself constantly picking at the scabs of unaddressed grief and trauma simply because there isn’t enough time to clean the shit off of the fan before the next turd missile hits.
In the wake of Jeff Cherep’s passing, I’ve had long conversations with Alex Submachine in our attempts to navigate our respective grief. One of the things that Alex kept coming back to was that, after all of these years, Jeff finally got him to shut up. Jeff had to go an extreme length to do it but he finally did it. It’s as if he has nothing left to say or at least he doesn’t know how to say it.
As I am seeing my sister’s domino starting to teeter, I have no idea what I’ll do if it falls. I’d probably end up going full punk rock monk, taking a vow of silence and never coming down off the mountainside that I live on to be seen or heard from again.
The fear and uncertainty of the current moment is definitely starting to get to me. This may be why I’m isolating myself and staying away from people more than I usually do. If I stay away from people, it will hurt less when they’re gone because, in my infinite stubbornness, I put a divide between myself and the rest of the population. I am aware that this makes very little sense but at this point neither does anything else.
It feels like I’m entering the wounded animal phase of my life or crawling deeper into the one that I’ve probably been in for most of the last forty odd years. If the world around me won’t give me a moment to heal or even catch my breath then I will spend as little time as possible out in it.
Nothing surprises me anymore. These days, when something bursts into flames, I don’t even bother trying to put out the fire. I shrug my shoulders and continue on to the next bit of awfulness to see what else will go wrong. It doesn’t seem to have anything to do with my decision making process but shit keeps happening. Life is a relentless asshole and doesn’t know when to let up. To paraphrase Walter Schreifels, I still try to do the right thing when the right thing counts but that gets harder to do when it feels like I’m running out of road.
This is when I wish that I was like the average person and didn’t have these thoughts rolling around in my head. That I would be satisfied with a shitty day job and going home to watch television after I clocked out. How easy the docile masses must have it, living their lives oblivious to their surroundings and with minimal consequence. How easily they can move on without thinking about anything.
One thing that I am starting to understand is how writers lose their voice as they age and stop writing. There are only so many ways that the same ideas can be reworded to try to make people understand a concept that the writer has been trying to convey over the years. Repeatedly shouting from the mountaintops that humanity is doomed while no one is listening can lead to a “Well, fuck it, you’re on your own then. I tried to tell you,” type reaction. Add to that the simple fact of aging and the loneliness and solitude that comes with it.
I already feel myself becoming quieter in a way that I can barely explain. It’s as if I’m running out of things to say and everything is becoming so obviously and frustratingly clear so anything I would have to add feels redundant but everyone is still missing the point. Spending a lifetime trying to make anyone understand only for the words to fall on deaf ears. There is a sense of futility in all of it that feels like I’m screaming at a wall but I refuse to stand mute for some reason and continue to fill the void because I have no idea what else to do.