I am not
a fan of the end of the year best of lists that are endlessly churned
out in the month of December. A lot of them feel like they're just
taking up space and seem to play favorites while overlooking records
that warrant mention. With that said, here's my list of notable
records that came out this year. This was written as more of an exercise in writing about music and is in no particular order. Since I did not keep a running list of the records that I bought this
year, I'm sure there are more than a few glaring oversights.
Killer
Of Sheep-Scorned:
The
long awaited LP from Killer Of Sheep was finally released this year. I have been waiting for this album to come out since I heard the
single they released as part of the Mind Cure Records singles series,
years ago. It was around 2013 or so that I heard the band was
starting to record. Oyo and company did not disappoint. Scorned
is a raging slab of vinyl that even includes an Al Green cover. As far as I can tell, the album is only available on the Taang! Records website or at their shows.
Code
Orange-Forever:
Forever
is Code Orange's second album after dropping the “Kids” from the
band name. These art-metal youngsters, from Pittsburgh, have been
going at it since they were students at the local creative arts
middle/high school, CAPA. Forever finds the band making
better production choices than their previous outing, I Am King,
but leaving their usual mix of brutality and synth made noises in
tact.
The
band has landed on the European festival circuit and earned
themselves a Grammy nomination in the process. It feels good that
the weird kids from this town are having some success and getting out
into the world, instead of only hearing about the overhyped local bar
band that was never really relevant. Forever was put out on
Roadrunner. It was pressed on red vinyl and clear vinyl. The first
hundred copies sold at the release show came with an alternate slip
cover over the usual album artwork.
Lemuria-Recreational
Hate:
Lemuria
snuck Recreational Hate in just under the 2017 wire. The
album was made available in the digital realm on December 15th
and the vinyl will be out on February 2nd. The band
started their own label this time out called Turbo Worldwide. They
used the funds raised from the sale of their annual “secret bundle”
to help cover the production costs. The “secret bundle” usually
included some of their older material pressed on funny looking vinyl. This year it was an advanced copy of Recreational Hate on
clear vinyl, with options of an extra single, t-shirts and test
pressings. I haven't had a chance to spend too much time with the
album but so far, I'm liking what I've heard.
Sharptooth-Clever
Girl:
I came
across Sharptooth while goofing around on Bandcamp. If it weren't
for Lauren Kashan's vocals, Clever Girl would have ended up
being another hardcore album that I've heard a hundred other times
with the “I hate my mom, I hate my dad” white boy lyrics. But
Lauren lends an intensity from the female perspective that lends the
music boatloads more credibility. They'll be opening for Anti-Flag in January
and February. They sound like they'll be a lot of fun to see. The
album was put out by Pure Noise Records on half and half
oxblood/black vinyl and oxblood/black swirl with gold splatter.
Crystal
Fairy-Crystal Fairy:
Buzz
and Dale, from the Melvins, teamed up with Teri Gender Bender, from
Le Butcherettes, and Omar, from At The Drive-In, to form Crystal
Fairy. The pedigree of this band really says it all. Buzz and Omar
trade off bass and guitar duties. Dale Crover playing drums with all
of his Dale Croverness. And Teri Gender Bender doing what she does
best, wreaking havoc all over every track like a cornered badger with
rabies. Ipecac released the album on pink, lavender and clear vinyl.
Boris-Dear:
If all
indications are correct, Dear might end up being the last
Boris album. They had almost called it quits after they toured for
the anniversary of the Pink album but decided to treat us all
to Dear and a subsequent tour instead. Dear is a
collection of what Boris does best. From speaker melting, sludgy
metal to ambient soundscapes. This record dares to be played at
maximum volume. In the U.S., Sargent House released vinyl on yellow
and black marble along with a gray and black marble version. In
Japan, Daymare released a three LP version. The first two LP's were
on gold vinyl and contained the album proper. The third LP was on
clear vinyl with two bonus tracks and an extended version of the song
D.O.W.N.
Ty
Segall was busy as usual:
The
year was only a few weeks old when Ty Segall unleashed yet another
LP. It was his second self-titled release and he seems to be getting
better and farther out there as he goes along. A few months later,
he puts forth the Sentimental Goblin EP. It was only a two
song EP and neither song was titled Sentimental Goblin. And a few
months after that, Ty released the benefit EP, Fried Shallots,
which had a few new tracks and a few alternate takes of old songs. Then as the year was winding down, Ty started releasing a single
every few weeks. Five of these tracks were released and then there
was an album announcement for Freedom's Goblin which will be
released at the end of January 2018. And I'm sure by the time I
finish writing this he'll have put out another record of fuzzy garage
stompers.
Thee Oh
Sees/Oh Sees/OCS:
And not
to be outdone in the field of fuzzy garage stompers, John Dwyer and
his cohorts found it within the kindness of their hearts to give us
two albums of weirdness this year.
With
the release of Orc, the band dropped the “Thee” and put
the album out under the name Oh Sees. Orc feels like the band
is playing at a frenetic and, somehow at the same time, laid back
pace.
Their
second release of the year, put out under the name OCS, was Memory
of A Cut Off Head. It's a much mellower album than Orc
and harkens back to the early days of the band when John Dwyer wanted
a quieter affair after the ruckus of the Coachwhips.
Monolord-Rust:
Swedish,
stoner-metal heavyweights, Monolord came out of the laboratory, this
year, with Rust. Tons of riffage and fuzzed out bass are
present throughout. If you are a fan of Sleep and old school Black
Sabbath, then this is the band for you. RidingEasy Records pressed
Rust on a multitude of colors with a few different limited
slip covers made of faux leather, denim and paper.
Here's
notable reissues and live records:
Aus-Rotten-...And
Now Back To Our Programming:
Aus-Rotten's
...And Now Back To Our Programming was reissued this year on
Profane Existence. And in 2016 the label reissued The System
Works For Them. When I saw they were reissued, I thought to
myself, “Do I really need to buy these records again?” Profane
Existence stated that they made a few balance corrections to the
original mastering but didn't touch too much else. The original
releases were such blazing pieces of savagery that I didn't think
they could be improved upon. Boy, was I wrong. I took the Pepsi
challenge with my original copy of The System Works For Them
and the Bandcamp download of the new mastering. The improvement was
tenfold. I couldn't believe it was the same record. I immediately
went to the Profane Existence website and ordered up the vinyl which
also had the option to bundle with some t-shirts. Sold. Now I can
replace my old Aus-Rotten t-shirt with one that doesn't look like I
painted my torso a faded black and written “Aus-Rotten” across my
chest. Hooray for me.
http://profaneexistence.storenvy.com/products/21156266-aus-rotten-and-now-back-to-our-programming-lp
In the
Iggy Pop department:
The
behemoth seven CD Funhouse sessions box set that was released
several years ago has been boiled down to a two LP set called
Highlights From The Funhouse Sessions. This makes for easier
listening than an entire CD of every take of TV Eye. As much as I
could, and have, listened to that song repeatedly, an hours worth of
TV Eye is a bit much. Also included are the non-album tracks Lost In
the Future, Slide (Slidin' The Blues) and a different version of L.A.
Blues called Freak. The vinyl comes pressed on clear orange with
black smoke.
Then
there was the three LP release of the concert Iggy played at the
Royal Albert Hall, in London, on the Post Pop Depression tour. This was from the brief run of shows with Josh Homme and other
members of Queens of The Stone Age and Arctic Monkeys as Iggy's
backing band. The set was loaded with songs from The Idiot,
Lust For Life and Post Pop Depression and there were no
Stooges songs present. This tour was meant as a showcase for Iggy's
solo material and that band hit those songs as if their lives
depended on it.
When
the tour was announced, I made plans to haul ass across the state to
Philadelphia for a family outing to see this show. It felt like Iggy
finally had a band, without the Asheton brothers, that could contain
him and keep up with him. In all of the Iggy live bootlegs that I
have, I have never heard his solo songs played so well. The Royal
Albert Hall release captures that feeling perfectly. The three LP
version was a pricey Record Store Day release, back in April, but it's
also available on CD with a blu-ray or DVD option.
The
Beatles-Sgt. Peppers Lonely Hearts Club Band:
The
50th anniversary remix/remaster of Sgt. Pepper was
an incredible kick in the head. My ears had grown accustomed to the
2009 mono remaster and I was not prepared for the monster that was on
my turntable.
When
Sgt. Pepper
was originally recorded there were technological limits in the studio
so the drums had to be mixed down to a single track to leave room for all of the other sounds the Beatles wanted to achieve. Giles Martin, son of Beatles producer George Martin, swapped out the
original single track drum mix for a multi track drum mix. The 2017
mix creates a swirling effect where it feels like the sound is coming
from different directions and everything is more pronounced.
Brian Eno-Half Speed Masters:
The
first four Brian Eno albums have been reissued. Here
Come The Warm Jets,
Taking Tiger Mountain (By
Strategy), Another
Green World and Before
And After Science were
all remastered and recut for 45rpm. They were remastered at Abbey
Road Studios using what they call the half speed mastering process. This process brings the high range sounds down to the mid-range and
makes them easier to manipulate and clean up. This helps prevent the
harsh distortion on “S” sounds that can appear on vinyl. The
albums were cut at 45rpm instead of 33rpm and on two LP's instead of
one. This allows for more room on the surface of each side so the
lines aren't crammed together. Here
Come The Warm Jets has
never sounded so good.
Ramones-40th
Anniversary Reissues:
This
year, we were treated to two Ramones reissues. There was Leave
Home and Rocket
To Russia. The deluxe
versions include a new mastering of the original albums, a new mix of
the albums, demos and outtakes and a live recording. So far, the new
mixes have not disappointed.